Accidental cARTographer

Tibor Toth

http://dx.doi.org/10.14714/CP67.111

Abstract


This paper gives a retrospective of my forty-year career as a relief artist, much of it for the National Geographic Society. I discuss the manual development of relief art created by pencil, airbrush, and acrylic painting. The paper ends with digital relief shading, a production method that complements earlier manual methods.

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